Whenever a photographer uses expired film, surprise will be an element of the result. While the photographer cannot place all his or her hope in interesting effects, however, he or she cannot count on entirely controlling the result either. Before I began this little series on working with Time-Zero film (both fresh and expired), I had written an entry about a very special pack of Time-Zero that I received from a friend, for after I shot the pack, I found myself craving its magic again and again. Though I will not repeat the photos from that entry here, I would like to conclude this series with photos from the black magic pack because they illustrate more than any of my Polaroids how rewarding working with expired film can be.
This is my personal favorite from my own portfolio… Polaroid and otherwise. The deep roses, blacks, and blues that the magic pack of film yielded worked beautifully with this model’s skin. This little objet d’art remains my memento of something treasured that cannot be duplicated ever again.
I was playing with the length of the exposure time in the following shot. In this case, I used the SX-70’s dial to “overexpose” the shot. The other blog entry features some of the darker versions of the still life.
In conclusion, then, it is certain that I’ll not have a chance to shoot non-expired Time-Zero film in all its glory again, it is highly unlikely that I will have the the opportunity to have in my possession something like the black magic pack again, but I have about 92 shots of expired Time-Zero film in its various stages of blossoming and decay waiting for me in the refrigerator. Hopefully, I’ll be able to shoot something worthy of the film with it. Thank you for taking the time to look at my Polaroids.